Wilkerson, Richard Catlett (1996).Dangerous Dreams - The risks of online dream sharing. Electric Dreams 3(6), www.dreamgate.com/dream/ed-backissues/ed3-6.htm (July, 1996)
Dangerous Dreams - The risks of online dream sharing
By Richard Wilkerson
Dangerous material and dangerous uses of the material are not the same, but do come together, just as with the issue of gun control and substance abuse.
But be it danger of the dream material itself or the uses of the material, there are some implicit assumptions I would like to explore.
A question. Would an interpretation of a short story by O'Henry draw
the same concern, and if not, why? If I were to tell O'Henry what I thought
his story means, wouldn't he simply take it or leave it like all other
literary criticisms? Even if O'Henry was personally offended by my interpretation,
would the story itself be seen as dangerous? Probably not, and those who
see the dream text as dangerous would most likely say that we are not assuming
to be authorities over the life of O'Henry and tell him how to lead it
according to the story he wrote. Part of the danger lies in the dream material
itself, I'm told, but the other lies in the approach to the dream material.
But there are also similarities and similar risks of exposure in putting
out any text, be it a dream story or a short story.
I take a risk when I put my creation out to be judged and critiqued
and analyzed in the public sphere. If we were talking about a short story,
the risk might have something to do with my self-image and self-esteem.
Was this story as good as my last story, do people hate my writing style,
maybe I really am a bad writer. Part of this has to do with the responsibility
felt by the writer, the aspirations and hopes of what public acceptance
might entail, and the risks associated with self-revelation, what I might
be letting people know about myself, my identity. This identity and self-esteem
that might be fragile and suffer humiliation, embarrassment, chastisement,
abandonment, isolation and scapegoating if the public hated or criticized
my work.
Given all of these risks, we still continue to write and put our writings
out publicly to be interpreted, even though we know that our intentions
will often be misunderstood. As a matter of fact, it is now part of the
Post-modern aesthetic to release the text once it is written. That is to
say, that we no longer demand that the meaning of the text be the one the
author intended. Each reader may find his or her own relationship with
the text and it will be as valid as any other. Whether the subjective interpretation
is relevant to the culture at the time or not is another matter.
Its been my feeling for sometime that dream texts are somewhat similar.
Certainly the technique of taking the dream "as if it were your own"
moves in this direction. In this technique we approach a dream as if it
were our story, not the dreamers, and then talk about the ways it is relevant
to us, how the imagery moves us, how we give it meaning and how it returns
to us its significance. The author of the dream is decentered. Each person
in the participating group *has* the dream. This de-centralization of the
ego is furthered in the work of James Hillman, a archetypalist who would
like to see the dream as having *nothing* to do with the dreamer. That
the dream gains it power from just that fact, that it is centered around
archetypal rather than individual forces.
Are dream texts riskier and more dangerous than say, a short story we write?
I think the answer lies in the direction of "For those who have ears,
sound can be painful". But let me unpack this quote by looking a century
long fantasy that our culture has purchased.
During the last days of the 19th Century, Freud was putting the final touches
on his favorite book _The Interpretation of Dreams_. This book was written
in the middle of a cultural horizon that was participating in the idea
that with just a little more knowledge and reason, the whole universe could
be rationally understood. Freud's ideas on the role of the irrational not
only shocked his Victorian Peers, but eventually swayed them to acceptance.
But it was a special kind of acceptance. This was pre-chaos theory days.
The irrational was accepted, but only as the province of psychology. The
Natural World was still safe and would eventually be fully understood by
the rational mind.
And so dreams became aligned with the irrational and, this is my point,
aligned with psychology. (There is also a hidden ethic in Christianity
about the natural and the irrational being the same, but that's another
topic).
What Hillman and other are saying is that psyche is larger than psychology
- and so too are dreams. Yes, there are innumerable debts and long traditions
and a whole host of clinical practices that involve dreams, but they are
not only the province of psychology.
Since 1953 and the first REM experiments, the scientific community has
know this. Even around Freud's time there were a host of natural scientists
observing and studying dreams outside their clinical uses. Many famous
writers have drawn upon dreams not for psychological insight, but for inspiration
in writing. Artists have always know the value of dreams for inspiration.
The Surrealist took dreams beyond the psychological and aesthetic into
the political, showing how dreams can be used to move us past repressive
habits into the marvelous. Lucid dreamers and extraordinary dreamers, group
dreamers and dream flyers enjoy dreams for the sake of the experience itself.
None of this is meant as evidence that the dream is or isn't dangerous.
It is a statement saying that the dream is not owned by psychology and
psychologists, nor by clinicians or the board of behavioral sciences.
I haven't yet been able to understand the arguments that dreams in and
of themselves are simply too psychologically toxic, too revealing, to apt
to cause major psychological damage in and of themselves. The damage theory
seems to come more from how we approach dreams, what people think and feel
they are doing when they share them with a qualified or unqualified individual
or group.
I will guess that those who are concerned about the danger of the dream
are more concerned about people coming to share dreams and expecting some
kind of psychotherapeutic effect or environment. The explanation of the
danger here will vary according to the psychological perspective. From
the perspective of the innocent dreamer, the problem is that they have
*already* given over the function of the creation of meaning and value
to a supposed authority. In a sense, we are all kind of in this position
with dreams as we feel any need to interpret them at all. I don't feel
the need to interpret my going to work in the morning (well, most mornings)
but there is a call I have imposed upon myself with dreams.
Is this more dangerous than simply going along with the rest of my culture
and society and saying, "Well, it was just dream" and forgetting
it? I suppose it is - in that my path now includes the dream text and my
explorations of it. Going through it, with it, are then more dangerous
than if I had just left well enough alone.
But it hardly justifies the position that dreams and opinions about dream
should not be shared. Even if we grant that dreams hold some potential
for danger, just what is the actual frequency that we can expect, let's
say a borderline, to go off the edge from discussion of the meaning of
his or her dream? It seems to me that if the frequency of such incidence
is equal to or less than, say, that of a discussion of other parts of one's
life, that we are really making the environment way too restrictive and
safe for any particular adult population.
There are a few life practices I am not yet willing to hand over to the
*exclusive* use of the psychotherapeutic encounter. One is self exploration,
another is the investigation of the meaning and value of life, and another
is the significance of events in my life, including dreaming. What about
the discussion of the meaning and value of your dreams? Do I have to choose
a category to make relevant remarks about them? Do I have to say, "Now
I'm being spiritual" "Now I'm being psychological", "Now
I'm being artistic", "now I'm being humorous?". Granted,
the dreamworker has been cross categorical and a problem for a long time.
Every major religion began with the core folks being into dreams - and
every major religion eventually banned dream interpretation. Why? The current
thought on this is that dreams tend to question and play with things, and
one of the things they play with & question are structures of repressive
authority. I guess the Orthodoxy would say that since there can be no authority
on dreams, no one should be allowed to make meaning of them. The Christian
church has historically make exceptions for saints.
But I'm moving a little off the track. Let me shift from the exploration
of how dangerous dreams and dream interpretation may be in general to the
venue specific ecologies of Cyberspace dream sharing.
The Ecology of Cyberspace.
I feel it is pretty clear to those both online and offline that if we
were to hold a dream group face-to-face and only allow people to write
notes on a bulletin board, it would be a very different group than one
where voice and body movements were allowed. Now imagine that everyone
in the group had a mask on and the message board was in a room that only
one person at a time could enter, at any time during a two week period.
As John Herbert has noted in an unpublished study on the difference between
online and offline groups, one of the main differences is the reflective
quality of the Online groups and the emotionally pitched quality of the
face-to-face groups. This emotional pitch picks up a bit in real time chat,
but never quite reaches the face-to-face pressure.
This is not a judgement of one being superior over the other, just a note
that it is much more likely for emotional instability to play a factor
in face-to-face encounters. (However, Herbert did note that online groups
were rated higher in self rating scores of insight gained). The point here
is that in cyberspace there is a time factor, a infusion of reflective
imagination over reactions. There is time to consider other people's reactions
as well.
Another built in factor is the new mix of social and individual space,
we are anonymous and alone in a public space.
Fred Olsen, during the ASD XIII DreamWork in Cyberspace Panel told the
story of a man who during dreamwork session in a chat room reported that
he touched something and began to cry. It was a area of his emotional life
he had tried to contact in groups before but felt inhibited. By being both
alone in his room, and also being online with a group, he was able to access
a realm previous unavailable to him.
The other side of this social anonymity is the continual peer review. Yes,
we can say mean things and "get away" with it because no one
knows who we are, but that doesn't mean that 5 people won't immediately
step in and point out how cruel or inappropriate the remark was. For good
or bad, there is always a kind of self-monitoring that occurs online, part
of the piece in progress idea.
With Dream interpretation on public channels, this means that someone may
interpret your dream in a way that is extremely undermining of everything
you value. But it also means that a lot of other people will be there to
say that is just exactly what is happening, and model approaches you may
have never guessed at or would have never experienced.
Along with this is the ethic of freedom of speech. Yes, we have to allow
Neo-Nazi's and other fanatics their say, but this is the price of freedom
and most of us still think it is worth it. In a culture where we practice
telling our children that "it was just a dream" I prefer to have
lots of wild interpretations flying around than repression. This means
that to participate in our society, the adult has to been able to handle
free speech. To begin saying that there are adult citizens who can't, is
a serious theoretical and political statement.
So, is dream sharing more like rock climbing, psychotherapy or literary
criticism? Are there approaches to the dream and context of dream sharing
that are not safe for most people and need to be mediated beyond the natural
mechanisms of the Net? My judgement, that it *is* safe, is still un-proven
but gaining experiential evidence. I talked to other dreamworkers at the
ASD XIII conference who have been exploring dreamworking online, including
John Herbert, Jeremey Taylor, Jayne Gackenbach and Electric Dreams community
dreamworkers and have yet to find *one* single case of an unhappy camper.
Again, there are many who find the process useless, and don't like the
_idea_ of dreamsharing - but not one bad experience has been reported in
now what is about the 3rd public year and several pre-public years of online
dream sharing. If other adult activities that are deemed dangerous can
boast these statistics, I think they would be hardly be called dangerous.
Still, I want to stay open to the potential dangers and encourage those
who do feel dream sharing is dangerous online to help us see this, and
ways we might avoid harming one another with our often frank and honest
assessments of one another's dream stories. As a matter of fact, I we now
have a wide variety of venues in which to discuss this. The first is the
Electric Dreams E-zine itself. While we hold some editorial discression
and power, we are generally open to publishing just about anything that
is related to dreams. Electric Dreams also has a Bulletin Board that can
be used for this issue and we encourage "Watch Dog Lurkers" on
any or all of our dream groups. And now ASD, the Association for the Study
of Dreams, is also reviewing this issue and has a public bulletin board
to post relevant topics in this area. I would also like to suggest the
original alt.dreams as a forum for discussion as well.
Let's say that dream are potentially wonderful, and save the dangerous
warnings for a culture that hides away and represses dream discussions.
Richard Wilkerson (July 1997)